Monday, October 21, 2019

Il Postino General Vision and Viewpoint Essays

Il Postino General Vision and Viewpoint Essays Il Postino General Vision and Viewpoint Essay Il Postino General Vision and Viewpoint Essay Postino stands out in contrast to both the previous texts as its vision is quite optimistic. Mario is able to rise above the limitations of his world to realise his potential and become happy. The film does begin in a gloomy manner as Mario struggles to communicate with his withdrawn father – their relationship is strained. When Mario shows his father a postcard from America, his father tells him to get a job – he is ‘not a child anymore. ’ Mario’s father earns a meagre living as a fisherman, similar to the Mundy’s house, his home is sparsely furnished and they have just run out of water.Family life here resembles Lughnasa more than Lies of Silence. The relationship between the two men is problematic while Mario is living at home but it noticeably improves when the son marries the love of his life, Beatrice. We are presented with an uplifting image of joy when she becomes pregnant and Mario listens to the sound of his baby’s beating hea rt. Contrasting sharply to Lies of Silence, the relationships in Il Postino are very positive – the most important being between mario and Pablo Neruda, the Chilean poet and communist living in exile in Capri.They grow closer when Mario asks the poet to help him win the heart of Beatrice (Neruda had a reputation as a ladies’ man). Mario wins Beatrice’s love by reciting lines from Pablo’s poems. Mario remarks that ‘poetry doesn’t belong to those who write it, but to those who need it’ revealing a deep understanding of poetry. This sparks his interest in poetry and Mario discusses this art with his new friend in Neruda’s home and on the beach, beginning with a discussion on metaphors (being able to relate to ‘I am tired of being a man’).Mario expresses gratitude to Neruda by asking him to be his best man but he is also interested in Neruda’s communist philosophy (aware of social injustice). Mario grows in confi dence through this relationship: the new, assertive Mario takes issue with members of a local politician’s posse who are trying to buy fish at a knock-down price (unfortunately the fishermen become visibly angry at his intervention). Mario also challenges the cynical politician Di Cosimo when he announced that the water works (before the elections he had promised would be built) would not be built.Mario is sad when Neruda leaves the island and is dejected when Pablo fails to keep in contact with him but we can see the impact that the poet left on him as Mario begins to write his own poetry. He is invited to read a poem that he dedicated to Neruda at a communist rally on the mainland and we can see the personal development and change he has gone through as he addresses such a large crowd. Mario’s other relationships are also positive: he achieves happiness when he marries Beatrice, who loves him deeply and is impressed with his poetic achievements.Both his father and Ro sa (Beatrice’s aunt) come to respect him as a man. The relationship between Mario and Giorgio the Postmaster is also uplifting. These friendships help Mario following Neruda’s failure to stay in touch – this support network is similar to the family unit in Dancing at Lughnasa. The Society of the text is similar to the other two texts – depressing. It is a world of poverty and hopelessness, the differences in wealth is obvious; seen in the sophisticated Pablo and the cynical Di Cosimo. Once again we are met with a patriarchal society – authority figures are male.Mario’s death may suggest that the film ends on a gloomy note – it is tragic and random but it does not take away from the optimism that his life created. Il Postino differs from the other two texts (where the harsh circumstances crushed the main characters) as Mario was able to rise above the problems of his world to realise his own potential and be truly happy with his love. The painful reality of life reverberates in the ending but we can also see a sense of realism as Neruda fails to keep in touch with Mario and the fact that Mario never saw his son (Pablito – named after his friend).Naturally Beatrice is angry at her circumstances when Neruda and his wife return after a five-year absence. One of the final images of the film is of Neruda alone on the beach evoking a sense of loss for an inspiring life that fills one with hope. Il Postino’s viewpoint is much more optimistic Lies of Silence Il Postino open in a gloomy manner – Lughnasa begins in nostalgia Lughnasa Il Postino portrays a positive family life Relationships are also positive in Lughnasa Il Postino

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