Sunday, July 26, 2020

Compare And Analyse The Work Of Vivienne Westwood And John Galliano

Compare And Analyse The Work Of Vivienne Westwood And John Galliano Compare And Analyse The Work Of Vivienne Westwood And John Galliano For Dior â€" Essay Example > The Comparison and Analysis of the Work of Vivienne Westwood and John Galliano for DiorVivienne Westwood had great reputation in fashion. She is known for her aesthetic trailblazer whose red hair is iconic and matches her personality. Many regard her as the most influential British designer in the 21st century. Vivienne Westwood was born in Glossop, Derbyshire in the year 1941, and she studied art and later taught, before she embarked on her fashion career. She later joined the rock impresario Malcolm McLarn, in the fashioning of an image for the British punk culture. This played a key role in the channeling of Westwood’s fascination with subcultures of the sadomasochism and fetishism, in the cloths that she designed and sold in various cloth lines like Let It Rock and Mr. McLaren’s store on Kings Road (Feminist Review, 1992, p. 241). On the other hand, John Galliano was born in the 1960s in Gibralta and he attended St. Anthony’s RC School and later the Wilson Grammar School , after which he went to Central Saint Martins College of Art and Design. He drew his inspirations from the French Revolution and he later begun his own fashion label with Amanda Harlech. Vivienne Westwood in Kenya | Photo: Juergen Teller Vivienne Westwood in Kenya | Photo: Juergen Teller Vivienne Westwood in Kenya | Photo: Juergen Teller It is therefore clear that both John Galliano and Vivienne Westwood are the most influential designers we have had. They both created the most magnificent fashion of all times. John Galliano is known for the degree collections named the Les Incroyables, which is highly attributed to the drastic changes to the London art school that he owned, to the French Revolutionary street scene (McDowell, 2000, p. 45). It may be argued that fashion is driven by the desires of the designers and Vivienne Westwood understood this very well. Although it is not clear as to what can drive ethical fashion, the wish to semaphore is of a caring nature of a person walk ing through life in shoes. Westwood was a style setter who was chic enough to rock the hand-loomed hair poncho. She understood fashion and she had love for glamour. Westwood had an effervescent taste for the fashion and this assisted her in setting the path for the generation of fashion lebels. She excised what is regarded by many as the creative freedom, the allegorical collections which had a great deal of influence in the ethnic dress as well as the huge influence on Galliano and some of his early collections. Galliano has had a romantic and sensible eccentric in his design, and this has contributed to the emergence of the new romantic club scene. He had a talent that was noticed upon his graduation, and this drew a lot of historical references from French Revolution. Although the cloths were an exaggeration of a form of historical references, what was men’s wear was used by Westwood as a point of reference for her collection, ‘Pirates’. Galliano reinterpreted the appeara nce of the wear and customized it to meet his own views. This was his first collection that clearly drew inspirations for his sophistication and the extraordinary creativity. This has remained his distinguishing trademark for his cloths (Feminist Review, 1992, p. 267).

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